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The Writer's Guide to Weapons: A Practical Reference for Using Firearms and Knives in Fiction, by Benjamin Sobieck
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When it comes to writing weapons, most authors shoot from the hip--and miss. The Writer's Guide to Weapons will help you hit your target every time.
Firearms and knives have starring roles in a wide range of genres--crime, thriller, war, mystery, Western, and more. Unfortunately, many depictions of weapons in novels and film are pure fiction. Knowing the difference between a shotshell and a slug, a pistol and a revolver, or a switchblade and a butterfly knife is essential for imbuing your story with authenticity--and gaining popularity with discerning readers.
Inside you'll find:
- An in-depth look at the basics of firearms and knives: how they work, why they work, what they look like, and how to depict them accurately in your stories.
- The biggest weapons myths in fiction, TV, and film.
- A surefire guide for choosing the correct weapon for your characters, no matter their skill level, strength, or background.
- A review of major gun and knife laws, weapons safety tips,and common police tactics.
- "The Hit List," showcasing the most popular weapons for spies, detectives, gunslingers, gangsters, military characters, and more.
- Examples highlighting inaccurate vs. accurate weapons depictions.
- An insightful foreword by David Morrell, the award-winning creator of Rambo.
- Sales Rank: #143467 in eBooks
- Published on: 2014-12-03
- Released on: 2014-12-03
- Format: Kindle eBook
Most helpful customer reviews
12 of 12 people found the following review helpful.
An Invaluable Resource
By Dana King
This is a true guide: more than a primer, not a textbook. Sobieck breaks things into useful sections, including the Ten Golden Tips For Writing About Weapons. (Number 3: YouTube is your friend.) Even more fun are the 25 Top Weapons Myths (Number 22: “Being shot with a gun is like getting hit by a train loaded with concrete and circus animals;” Number 24: “Handguns go click-click-click when they’re empty.”) There’s also a brief section on half-myths, and a run-down of which weapons may be mots practical for a specific character, taking into consideration, gender, size, age, physical condition, and bad-assedness.
Those are great for learning what not to do, and how to handle certain thigs, but the meat of this book lies in the two core sections. Part One (Firearms) has sections titled, Firearm Safety; entry-level courses on shotguns, handguns, and rifles (including advantages and disadvantages of each); ammunition; suppressors and silencers; ballistics; and how to kill a character with a firearm, among others. The Knives section covers all the similar, applicable general topics, as well as worthwhile information on sharpening and sheaths. (I had no idea why knives are stropped to keen the edge, and I’m not going to tell you here. Buy the book, cheapskate.) There is also contans an excellent list of references and external resources, as well as a comprehensive glossary.
This material could be dry as a desert road in a sand storm in less skilled—and compassionate—hands, but Sobieck keeps things moving, with some help from his ongoing series character, “gal-damned” detective Maynard Soloman. Maynard and a couple of assistants provide examples of what not to do, then show how to do it better; Sobieck describes what was wrong. His tongue remains firmly in cheek during these anecdotes, but the points are valid, and well made. (Maynard does take a beating, though. So it goes. Spoiler alert: he lives.)
It’s not like Sobieck has to depend too much on Maynard to keep things moving. His writing style naturally lends itself to page turning. (He’s a fiction author, as well. His first book, Cleansing Eden, might be my favorite take on serial killers; his newest is Glass Eye, which currently holds a high position on my To-Be Read List.) His descriptions and warnings are entertaining without losing all gravitas. (These are items of death we’re talking about here.) It’s fun to read, not at all like a chore. I found myself pausing often to read aloud a passage to The Beloved Spouse, who cares not nearly as much about accurate firearm descriptions as I do, but does love her some good writing.
No writer without a solid weapons background should write weapons without having this book handy. I have a decent layman’s knowledge, and have an honest-to-God firearms expert on call for any questions, and I ate this book up, learning things I would never have thought to ask. (It also saved me from an embarrassing oversight in the work-in-progress.) Studiously researched, engagingly delivered, The Writer’s Guide to Weapons should be on the short list of most valuable writer’s aids for the crime fiction community.
6 of 6 people found the following review helpful.
A very good book with a few errors.
By Rafe
Sobieck has written a very good book here--it presents very readable (and mostly correct) information about weapons, it deflates a number of the incorrect weapons clichés that infest mystery fiction, and it gives good writing tips for dealing with weapons in fiction. The author's sense of humor is very welcome as well. But no such guide can be perfect, and this one includes a number of noticeable goofs--for example, in apparent pursuit of simplicity, the writer makes erroneous or misleading statements about shotgun ammunition, the effect of barrel length on rifling spin (or bullet stability), and the influence of gravity on a bullet (which begins the instant the bullet leaves the barrel). Still, this is a very good book which many writers could benefit from.
6 of 6 people found the following review helpful.
Good guide to what not to write about weapons.
By Darren Goerz
A good comprehensive guide. I found that I already knew about 60% of the material, but was able to pick up some important tips.
The author does a good job of pointing out which false literary cliches involving weapons are likely to get you a negative review.
Includes useful pictures and diagrams of the various weapons.
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